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Let’s Talk About One of a Kind Art

Let’s Talk About One of a Kind Art

  Some Artists are very prolific and can turn out a painting in a day or a week. These Artists are most apt to be able to sell their originals. There are some Artists such as myself that require time to choose a subject, research and draw preliminary sketches before even starting on a painting that will take 4 to 8 months to create. My name is L.A. CLINE and for over 40 years I have been painting with pastels. I love the way I can layer the pastels and create the soft magnificent texture of what I paint. First, I choose the subject. This is so very important because I have to love what I am painting since I will be working with that subject for months. My paintings must have an everlasting relevance to capture the beauty of our world for generations to admire. People ask me why it takes so long?  It take me four weeks to research and then sketch my subject and set up to paint the original.  When you look at my paintings you will understand the complexity of the many 20 or more layers of pastel I apply to build color, texture, likeness.  I paint in the morning, evening, sunny, cloudy, raining days to make sure that the painting will look great in all weather conditions. No over head lighting is needed because the lighting is built in within the layers of pastel over time. “Tender Moment” is a very emotional and loving painting. Grevy Zebras are on the endangered list because of the their narrow and intricate stripes that reflect a...
Animal portrait painting “Tender Moment” with Zebra’s

Animal portrait painting “Tender Moment” with Zebra’s

This animal portrait painting of Zebras is very technical as far as the placement of the stripes.  Since every Zebra has their own stripe pattern and each stripe identifies that particular animal, this painting of a mother and her offspring is just as intricate as my portraits of people. Using pastels to create the stripes is a time-consuming and intense process.  Many layers of pastel have to be applied to finally get the crisp lines of the stripes. Even the colors have to be built up from medium to dark so that the end color has the layers of color that will give a rich natural look when the painting of the Zebras is finished. Right now I am very happy to have gotten the mother and her babies face in place.  The face and the legs of these animals are the most complicated areas of the body because of the intricate striped pattern, so to paint this original portrait, moving slowly is key.  While painting this piece, I cannot jump around and paint different areas.  I have to concentrate and do each area next to the most recently completed one, as some stripes connect to others in their overlapping bodies. As a rule, after one year the dark brown zebra stripes generally turn to the familiar black; however, this mother still has some dark brown on her face and neck, while the rest of her body stripes have already turned to more dark black tones.  Her foal, of course, is mostly dark brown with some areas of black. As an animal portrait artist, waiting is the game you play...